Zahra Asim is a visual artist based in Lahore, Pakistan. She graduated with a degree in Fine Arts from National College of Arts, Lahore in 2014 and completed her Masters in Art and Design from Beaconhouse National University, Lahore in 2019. It has been 8 years since she has been painting professionally and has exhibited her work in numerous group shows both nationally and internationally. Zahra’s work is a continuous narrative of congested spaces, which in her mind’s eye are a play of pattern like formations.

Makli Necropolis is one of the largest funerary sites in the world, spread over an area of 10 kilometres near the city of Thatta, in the Pakistani province of Sindh. The site houses approximately 1 million tombs built over the course of a 400-year period and features several large funerary monuments belonging to royalty, various Sufi saints, and esteemed scholars. [Only 10 editions available] Note: This is an unframed print.

Located near the sea in Karachi, Pakistan, this print features the shrine of Abdullah Shah Ghazi, a Muslim mystic and Sufi from the 8th century. Legend goes that Ghazi is the protector of the city of Karachi from floods, as he was a warrior turned Sufi. [Only 10 editions available] Note: This is an unframed print.

Dua describes her work as a personal expression of her surroundings and familial experiences. Her drawings and paintings are often reimagined depictions of archival photos as a way to revisit her memories and recreate those images. She plays with floral and textured patterns seen in her home, assorted compositions and a darker colour palette to convey a sense of melancholy and longing for people who are not present in her life anymore. Note: This is an unframed painting.

An Odd Bird Art digital gift card is the perfect gift for any occasion, from birthdays and holidays to housewarmings and weddings. It's a gift that will be appreciated and enjoyed for years to come. This digital gift card is valued at $500 and can be redeemed on any eligible Odd Bird Art purchase through the Odd Bird Art website.

An Odd Bird Art digital gift card is the perfect gift for any occasion, from birthdays and holidays to housewarmings and weddings. It's a gift that will be appreciated and enjoyed for years to come. This digital gift card is valued at $100 and can be redeemed on any eligible Odd Bird Art purchase through the Odd Bird Art website.

An Odd Bird Art digital gift card is the perfect gift for any occasion, from birthdays and holidays to housewarmings and weddings. It's a gift that will be appreciated and enjoyed for years to come. This digital gift card is valued at $250 and can be redeemed on any eligible Odd Bird Art purchase through the Odd Bird Art website.

This painting portrays the Mughal miniature painting form, that flourished during the era of the Mughal Empire from the 16th to the 19th century in the Indian subcontinent. It is characterized by intricate and detailed artwork, vibrant and bright colors, and the depiction of historical or mythological scenes. The paintings often portrayed life at the Mughal court, landscapes, flora and fauna, and portraits of royalty and nobility. The artists who created these paintings utilized a range of techniques, such as brushwork, shading, and fine detailing with gold and silver.

Kainat's art practice revolves around the process of making ‘Ralli’ (hand-crafted quilts primarily made in Sindh, Pakistan) through appliqué, a form of ornamental needlework in which pieces or patches of fabric in different shapes and patterns are sewn or stuck onto a larger piece to form a picture or pattern. Note: This is an unframed artwork.

Narayan takes his inspiration from his surroundings, the people and everyday objects. Like the motorcycles featured in this painting, he feels that everyday objects are a reflection of the stories around us and are an inseparable part of our lives. Note: This is an unframed painting.

This painting portrays the Mughal miniature painting form, that flourished during the era of the Mughal Empire from the 16th to the 19th century in the Indian subcontinent. It is characterized by intricate and detailed artwork, vibrant and bright colors, and the depiction of historical or mythological scenes. The paintings often portrayed life at the Mughal court, landscapes, flora and fauna, and portraits of royalty and nobility. The artists who created these paintings utilized a range of techniques, such as brushwork, shading, and fine detailing with gold and silver.

Dua describes her work as a personal expression of her surroundings and familial experiences. Her drawings and paintings are often reimagined depictions of archival photos as a way to revisit her memories and recreate those images. She plays with floral and textured patterns seen in her home, assorted compositions and a darker colour palette to convey a sense of melancholy and longing for people who are not present in her life anymore. Note: This is an unframed painting.

Dua describes her work as a personal expression of her surroundings and familial experiences. Her drawings and paintings are often reimagined depictions of archival photos as a way to revisit her memories and recreate those images. She plays with floral and textured patterns seen in her home, assorted compositions and a darker colour palette to convey a sense of melancholy and longing for people who are not present in her life anymore. Note: This is an unframed painting.

Dua describes her work as a personal expression of her surroundings and familial experiences. Her drawings and paintings are often reimagined depictions of archival photos as a way to revisit her memories and recreate those images. She plays with floral and textured patterns seen in her home, assorted compositions and a darker colour palette to convey a sense of melancholy and longing for people who are not present in her life anymore. Note: This is an unframed painting.

Zahra Asim is a visual artist based in Lahore, Pakistan. She graduated with a degree in Fine Arts from National College of Arts, Lahore in 2014 and completed her Masters in Art and Design from Beaconhouse National University, Lahore in 2019. It has been 8 years since she has been painting professionally and has exhibited her work in numerous group shows both nationally and internationally. Zahra’s work is a continuous narrative of congested spaces, which in her mind’s eye are a play of pattern like formations.

Saniya's work revolves around the tactile experience of painting, as the process is the key element in her work. With a special focus on light and shadows, she uses ‘drapery’ to amplify her painting experience by observing the folds, creases and curves closely to intricately render them. Saniya has spent time observing prominent work from the Renaissance and Baroque periods, specifically studying the use of fabric and drapery and through this process, she describes how each painting essentially illustrates a dialogue between her and her paints.

Khaplu Palace, locally known as 'Yabgo Khar' is an old fort and palace located in Khaplu, a city in Gilgit−Baltistan, Pakistan. The palace, considered an architectural heritage site and a significant tourist attraction, was built in the mid-19th century to replace an earlier-dated fort located nearby and served as the royal residence of the ruler of Khaplu. [Only 10 editions available] Note: This is an unframed print.

Butt's "Ode to Peano" is a photographic tribute to her late grandmother and personal history. Using textiles and quilts, Butt evokes nostalgia and warmth, exploring human presence and personal space. Her photographs capture physical objects and spaces, as well as the emotions and memories they evoke. The series celebrates the importance of preserving personal history through art, reminding us of its significance. The Urdu word "Haryaali" metaphorically represents renewal and growth in nature, adding to the series' themes of renewal, growth, and beauty.

Hamza describes his work as an expressive response to his immediate surroundings. His work took a prominent shift in 2020 as a result of COVID19, where he observed his own self in an enclosed space and began to create portraits as close to his truest self as possible. He developed this narrative by capturing his own photographs and transforming them into oil paintings, focusing on the intricacies and individuality of human anatomy. In his form of self portraits, he found himself straying away from his facial features and gravitated towards the particularities of his hands and feet to capture the language of his gestures.

Dua describes her work as a personal expression of her surroundings and familial experiences. Her drawings and paintings are often reimagined depictions of archival photos as a way to revisit her memories and recreate those images. She plays with floral and textured patterns seen in her home, assorted compositions and a darker colour palette to convey a sense of melancholy and longing for people who are not present in her life anymore. Note: This is an unframed painting.