Zahra Asim is a visual artist based in Lahore, Pakistan. She graduated with a degree in Fine Arts from National College of Arts, Lahore in 2014 and completed her Masters in Art and Design from Beaconhouse National University, Lahore in 2019. It has been 8 years since she has been painting professionally and has exhibited her work in numerous group shows both nationally and internationally. Zahra’s work is a continuous narrative of congested spaces, which in her mind’s eye are a play of pattern like formations.

Makli Necropolis is one of the largest funerary sites in the world, spread over an area of 10 kilometres near the city of Thatta, in the Pakistani province of Sindh. The site houses approximately 1 million tombs built over the course of a 400-year period and features several large funerary monuments belonging to royalty, various Sufi saints, and esteemed scholars. [Only 10 editions available] Note: This is an unframed print.

Located near the sea in Karachi, Pakistan, this print features the shrine of Abdullah Shah Ghazi, a Muslim mystic and Sufi from the 8th century. Legend goes that Ghazi is the protector of the city of Karachi from floods, as he was a warrior turned Sufi. [Only 10 editions available] Note: This is an unframed print.

Dua describes her work as a personal expression of her surroundings and familial experiences. Her drawings and paintings are often reimagined depictions of archival photos as a way to revisit her memories and recreate those images. She plays with floral and textured patterns seen in her home, assorted compositions and a darker colour palette to convey a sense of melancholy and longing for people who are not present in her life anymore. Note: This is an unframed painting.

This painting portrays the Mughal miniature painting form, that flourished during the era of the Mughal Empire from the 16th to the 19th century in the Indian subcontinent. It is characterized by intricate and detailed artwork, vibrant and bright colors, and the depiction of historical or mythological scenes. The paintings often portrayed life at the Mughal court, landscapes, flora and fauna, and portraits of royalty and nobility. The artists who created these paintings utilized a range of techniques, such as brushwork, shading, and fine detailing with gold and silver.

Narayan takes his inspiration from his surroundings, the people and everyday objects. Like the motorcycles featured in this painting, he feels that everyday objects are a reflection of the stories around us and are an inseparable part of our lives. Note: This is an unframed painting.